Welcome to Rembrandt and Friends.
Individuals who haven't registered for an account can view forum content but they cannot update the content or interact with other users.
Registering for an account is easy. Once you have done so, you'll be able to log into the forum and participate fully. You will be able to create your own topics and posts (including embedded images and videos), interact with other users on the forums, and communicate with other users through your own private inbox.
Registration is now and always will be free.
The original plan was the dark edges … but as I develop the painting, I am considering options. The building is grey - but it’s very early in the morning and appears this bluish color.Hmmmmm.....
I can understand why you might want it to be a blackboard but that's dark on dark.
I assume the local diner is painted dark blue and the blackboard is, well, a blackboard. But the effect of that, as I watch how my eye moves around the image, is to shrink the image down to the rectangle with the people. Everything else becomes a frame, essentially, for that one rectangle.
If that is your intent, then the design works. If not, then including sufficient detail elsewhere in the painting to provide interest and stop the eye might be a good idea.
I think I am headed in that direction, yes. In an earlier stage I had more of the shingles visible and will build that back in. There’s also the hint of a small planter in a few reference photos - that’ll several to add interest.I do love a good Hopper style, I thought the same as Maureen before you mentioned it so you're on point. I love your palette and the composition, but agree the large blue and brown roof sections seem to segment the zones too much rather than leading the eye in like mentioned before. I'd love to see more details in the blue wall and billboard, just enough to entice me to look further. Even shadows in shadow to intrigue. Should be a good piece to complete